The boy and dogs were drawn separately from the background. That way, if I get a main focal point (the boy and the dogs here) the way I want them, I don't have to draw around them and worry about messing them up. I simply put a piece of paper over the main subject (thin enough to see through) and start drawing background ideas. Once I've got one I like, I scan both foreground and background into the computer and merge them. From there I can tweak sizes, proportions, perspectives...all sorts of things. After cleaning it up a bit, I print out the sketch on watercolor paper on my Epson 2200 and then paint. And if I mess up, I just print out a new one.
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Sketching, Sketching
So, what does an illustrator do? The answer is sketch, sketch, sketch, sketch, sketch. I wish I had more time to do more of it. Whether you work on the computer or on paper or on canvas, the initial stages of an illustration start out with sketches. I usually start out with thumbnail sketches (tiny 2x3 inch drawings) to work out the composition. I ALWAYS do this for a book. But then my method sometimes varies from there in the larger sketch stage. Often, I like to sketch out different ideas for foreground and background and then merge the two in Photoshop. Here's an example of something I'm working on.
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The boy and dogs were drawn separately from the background. That way, if I get a main focal point (the boy and the dogs here) the way I want them, I don't have to draw around them and worry about messing them up. I simply put a piece of paper over the main subject (thin enough to see through) and start drawing background ideas. Once I've got one I like, I scan both foreground and background into the computer and merge them. From there I can tweak sizes, proportions, perspectives...all sorts of things. After cleaning it up a bit, I print out the sketch on watercolor paper on my Epson 2200 and then paint. And if I mess up, I just print out a new one.
The boy and dogs were drawn separately from the background. That way, if I get a main focal point (the boy and the dogs here) the way I want them, I don't have to draw around them and worry about messing them up. I simply put a piece of paper over the main subject (thin enough to see through) and start drawing background ideas. Once I've got one I like, I scan both foreground and background into the computer and merge them. From there I can tweak sizes, proportions, perspectives...all sorts of things. After cleaning it up a bit, I print out the sketch on watercolor paper on my Epson 2200 and then paint. And if I mess up, I just print out a new one.
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