Conferences and Signings - WIFYR and ALA 2012

So this will have to be a quick post because things are CRAZY busy around here.  I've just finished teaching a 3 day intensive workshop at WIFYR and am getting ready to leave for a book signing there this afternoon. The signing is open to the public and there will be many other authors there like: Tim Wynn-Jones, Brandon Mull, Cynthia and Greg Leitich Smith, Mette Harrison, A.E. Cannon, Trudy Harris, Matthew Kirby, Ann Dee Ellis, and Carol Lynch Williams.  It goes from 3-6pm today at the Waterford School in Sandy Utah.

I had a great time teaching at the conference and will post next week about it and some things I taught. I had a wonderful class of eager students and was glad for their enthusiasm and dedication to learning.

I'm also packing to leave for the 2012 ALA conference in Anaheim, CA. If any of you are there, please be sure to stop by the Scholastic Booth #2634 on Saturday between 11am and noon. I'll be signing there but would LOVE to see a friendly face or two.


This will be my first experience with an ALA conference so I'm not sure what to expect, but I'm excited. Let me know if you'll be there or if you are and author or illustrator signing somewhere there.
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Meet Will Terry, author/illustrator, expert on ebooks


Here's another awesome guy on the picture book scene you just have to meet...WILL TERRY. I actually met Will back in my college days. He was one of my sophomore year illustration teachers...kind of an intro to illustrating class. He was a young guy, not too long on the scene, but had already made a name for himself in editorial illustration as well as the picture book market. I really liked him as a teacher. He says he pretty much shouldn't have been teaching, but I learned a lot about working as a freelancer, working in the industry, and about good design from "Professor" Terry (I never called him that of course- I'm pretty sure we all just called him "Will").  He was down to earth and cool. He made us all want to work as illustrators.

After graduating and getting into my own career, Will and I are no longer be student/teacher, but are friends and colleagues. It's great to connect with other illustrators and vent, bounce ideas, or just hang out  away from the dungeon studios in our basements.

And anyone looking for tons of info, how-to's, and tips on illustration and ebooks, Will has the answers. Check out HIS BLOG for more information than you can imagine.

So, without further ado, here's Will Terry...

You've mentioned on your blog and video interviews that the public school system pretty much failed you growing up...they often have a hard time with kids who creatively "color outside the lines." It's really sad that more and more, the arts are being removed from education. That whole discussion aside, what was your path to becoming a children's book illustrator?

I really wasn't good at anything else and so I was always painting or drawing as a kid. In H.S. I was never the best but always took art class. I crawled through the sewers to sneak into college - I had to go to community college to raise my GPA with easy classes. Then I was let into BYU on academic probation. I didn't really think I would become a professional illustrator but I never stopped trying. Cliche as it may sound - I was the little engine that could. One little chunk at a time- even pushing past the part where I was put on probation in the illustration BFA because my stuff just wasn't cutting it. My first mailers to attract freelance work were horrible - when I look at them now I can't believe anyone ever gave me my first assignments. But - probably the most important quality I did have was never being able to settle for what I was currently capable of. I was always looking to improve. I would say that what I lacked in raw talent I made up for with hard work. 

I didn't know it then but I was destined for children's books because I love creating cuter softer illustrations that tell a story. So now I find myself right where I want to be.

Others may not know that you have also tried out other ventures in your life, but have come back to being an illustrator. What brought you back? 

Yes, I've tried various other money making projects and careers - trading futures, selling trading systems, and almost became a California Corrections Officer (prison guard) YEAH - THAT'S RIGHT!!! What I've realized is that I'm miserable when I'm not creating art -and being miserable at what you do makes you ineffective and mediocre. And mediocre is a recipe for getting fired or losing really big...aka being a big loser. 

Your wife works, you have a few kids (preteen on up?), and you are the "stay-at-home dad." How do you juggle work and home? Do you have set work hours or are you more "go-with-the-flow?"

Actually my wife lost her job when she contracted an auto-immune disease so she's at home now. With the loss of her income I really had to step it up in the earning dept. I won't say it's been easy but we're making it. This prompted me to make some video tutorials that I could sell from my website http://willterry.com/. Sales were so good that I partnered with a friend to create http://folioacademy.com/ where we not only sell my videos but also tutorials from other artists. 

I've never been the type to set a schedule - not that that's a bad way to do it but for me I'm motivated enough to work whenever I can. Distractions have never been a problem so if the kids need something or my wife needs me to run errands it doesn't bother me to close up and re-open later. It was harder when my kids were babies but my wife was healthy then and took care of most of day to day. Not that I didn't change my fair share of diapers - diapers never bothered me that bad - guys! - get used to it - it's just poop - someone had to change your diapers so get over it!
You have had a lot of success with your ebooks, "Tickle Bugs," "Pollywog to Frog," and "Monkey and Croc." Do you plan on making more? What are the pros and cons of an ebook and what makes a successful ebook (in your opinion)?

I'm so in love with the idea of creating my own apps/ ebooks for children! I'm working on three apps right now and the idea of incorporating sound and light animation is really fun. Not that illustrating picture books isn't fun it's just different and I still love static images that really challenge me to incorporate the suggestion of movement. Making apps is neat because now I'm free to dream up new ways of telling stories. 

I believe that with all the current competition and future competition you have to be extremely creative with what you offer the world. It's going to be really hard to stand out so if your just swaying to the music like most people you'll get lost in the sea. It's the person who's break dancing to "Stairway to Heaven" that's going to get noticed. Laughed at? perhaps, but talked about - and that's what you need to be successful.
Any words of wisdom to the readers?

The world is changing faster than you or I can perceive. These changes are scary for most of us but through change comes great opportunities. It's our attitudes that will allow or prevent us from exploiting these opportunities. Some people only see the spilled milk. Others see an opportunity to drag their fingers through it and make art worth talking about.

I didn't ask Will about this, but I know he recently started a Kickstarter project. It's pretty cool. Check it out here.


And Thanks, Will...for everything!
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Carl Purcell Watercolor Class

I've been meaning to post about the 3-day watercolor class I took from artist, Carl Purcell. To sum it up, it was amazing.

I've been using watercolors in my illustrations for about 10 years now. I had a basic watercolor class in college but nothing since. The rest has been self-taught. It was wonderful to learn from such a talent artist AND teacher as Carl Purcell. Many artists can paint well, but few can teach well also.  I learned more in those 3 days of class than in the past 10 years and my college watercolor class combined. I wish I had more time to learn from him. Someday I hope to be able to take his 2 week course.

Some highlights from my notes...

  • Overstroke and watch it croak- be deliberate and smart with your strokes. Do it and leave it.
  • Create as few boundaries as possible in the initial stages (1 &2). Easy to add hard edges later. Hard to create soft ones
  • When Carl goes back to the pallet for more paint, he always adds another color. Let the colors co-mingle on the paper and never get the EXACT same color again.
  • There ARE patterns in nature but an INFINITE variety within those patterns. No two things are exactly alike in nature.
  • When painting trees- really look at the overall shape. Don't let the left brain take over and make it an oval or triangle. Paint the shape.
  • When painting branches- look for and paint the branches that do the unexpected, not the 45 degree upward branches
  • Little shapes of light and dark draw focus - larger shapes don't make you look so intently
  • to Draw means to Pull - pull your line
  • Interesting shapes have dominant directional thrust
  • Lost edges are important
  • Paint and sketch outside when you can

It was a fabulous course. I need to spend a week now and just practice everything over and over to really ingrain it in my head. Here are some pics and notes...
Carl Laying in a background wash. Learning how to do this is essential to watercolor...he's a master at it.

Once that is dry, you choose the focal point of your painting and put in your darkest darks. 

Then work out from there. Don't let anything outside the focal point get darker or have more contrast.

He's so good at keeping it loose. He calls this the stage where it's almost done. 

All he did from there was add a few light foreground elements, some more trees off to the side, a hint at the grasses, some detail on the barn roof and some branches (which looks easy but is really hard).


Carl is really good at taking the essence of something and redesigning it to be more beautiful. Here's the original photo.

Here's what he painted instead. Still recognizable as THIS barn, but so much better designed.
An exercise Carl had us do in class. Mine turned out very graphic in quality but  it was fun. We laid down a wash leaving some white spaces (he said ALWAYS leave more white spaces...those disappear quickly in watercolor). Then used a paper scrap and created the illusion of snow drifts.
some value studies of some of his photos he provided to practice from.
the result of my first landscape try. I brought a photo of Arch Rock in Valley of Fire, NV. I almost threw it out after the wash stage. It was so ugly. But Carl told me that's the UGLY STAGE and I should keep going. So I did. I was soooo pleased with the result.
I'm not as good at trees etc as rocks I think. Maybe I  am just "hard edged."  I don't know. But here's an attempt at a landscape with trees and water from a  photo I brought.

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Meet Jake Parker, Illustrator, Animator, Artist

I was lucky enough to become acquainted with illustrator, artist, animator, Jake Parker, about 6 months ago through a mutual friend (also an illustrator). I was instantly impressed with his resume, his art and his overall kindness and creativity. His family is beautiful and friendly, especially his wife who goes out of her way to make people feel welcome in their home. They both are great supporters of education, the arts and community. Here's a little interview so you too can get to know Jake Parker and his art. Enjoy!

Jake, you seem to have done it all...animation, teaching, comics, picture books. I know everyone's story is different and there's no one right way to make it as an artist. Can you give us a brief rundown of your personal path to success?

It all started when I decided to try out for a position at Fox animation studios in Phoenix during my freshman year in college. They needed assistants to help with animation and something in my humble portfolio told them to take a chance on me. So I left school and have been working ever since. That job opened doors to other jobs which opened more doors to others.

You currently have 5 kids, work full time as an artist for a educational software company, illustrate picture books and more. How do you juggle it all?

I work a lot of nights and weekends and I probably say yes to too much. My wife is amazing and does a great job holding down the fort. I don't watch TV or play video games or have any hobbies. I just put everything into art and family. I do take Sundays off and that's pretty good for charging my batteries for the week.

As I mentioned, you do it all...do you have a favorite genre to work in? Comics, Picture books, Animation?

I like each for different reasons. They all work different creative sides for me. But I always come back to comics.

Your newest venture is a Kickstarter project called THE ANTLER BOY AND OTHER STORIES, which is a collection of 9 stories from graphic novels and comics you've created that are mostly out of print, right? (For those who don't know, Kickstarter is the worlds largest funding platform for creative projects...check it out...it's pretty amazing). Tell us about what prompted you to take this route, what the challenges have been, and what advice you have for anyone looking to start a Kickstarter project.

After talking with my agent about this book idea to collect all my previously published stories we decided with how the publishing landscape looked right now the niche for a book like this was too small for a publisher to be interested in it. So I came up with a plan to self publish and fund it through Kickstarter. 
The challenge with running a successful Kickstarter campaign is it ends up taking a lot more time than you plan. I've been getting a lot less sleep these past few weeks. Also, I'm new to this, so there's been a learning curve. But I've found that if your honest, professional, have a quality product, and present well it makes up for what you don't know. My advice to those out there planning their campaigns is to look at like it's an actual presidential campaign. You have to present yourself and your platform well, you have to have inciting incentives and promises, and you have to sell yourself as someone who delivers. The key to that is somehow making a connection with each person. It might be through your art or music, it might be how you run your campaign, it might be through your killer video. You don't vote for someone you haven't connected with and you don't back a Kickstarter that doesn't connect to you somehow.

I'm amazed at the volume of wonderful art you produce. I'm sure your training in animation (along with your raw talent) taught you to draw often, profusely, and well. Thanks so much for taking the time to share a little about yourself today with us. 
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Calendars: Free Gift for You! May 2012

So I'm a couple days late with this and I apologize. The month May came upon me far too fast. At least I got this posted before it was really too late. Enjoy this month's printable calendar. Or you can set it as a desktop background image if you'd like. Just download and print on a 4x6 sheet of printer photopaper and wahlah! You've got a cute calendar to hang on your fridge, pin to the wall of your cubicle or place in a 4x6 photo frame. I hope you enjoy!
Only for personal or schoolroom use. Do not republish or reprint for sale anywhere. Thank you!
You can see other ways to use this calendar HERE.
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School Visits - I can come to your school!

I've done a lot of school visits over the years, all over Utah, and a couple in Washington and Michigan. I always have such a great time with the kids. They are the most wonderful, adoring fans an illustrator or author could ask for. They all have their own books in their heads screaming to come out as they bounce up and down with their hands raised to tell you a "story." They could go on for hours about how they lost a tooth or how their mom went to the grocery store in her slippers. I love it!

I do have to limit the "stories" during a school visit though...or we'd be there all day. I love to involve the kids in my presentations in other ways, like having them help me create a character or giving me alternate endings to stories, and coming up with sequels to my books.

I try to be engaging and enthusiastic and even a little funny in my presentations (which I admittedly am no comedian). Fortunately, I've always been able to entertain and educate a gym full of kids. I even presented to preschoolers through 6th grade at once. They all behaved well and were attentive, but I don't recommend trying to cram that many grades into one presentation.

With the older kids, I like to talk more about process of creation...the art, the writing, the publication. They can handle the more detailed info like that. I even do writing and illustrating workshops for grades 5-8 and anyone interested in learning about creating picture books as a profession.

All I can say is, I definitely have the best job in the world!


Here's a picture from a school visit I did in Southern Utah a while back and a link to the post about it.
Then click on this link to the video clips to see me in action.

I'd love to visit your school. Click on the tab at the top and tell me if you are interested in having me come. I'm sure we can work something out. :-)
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I'm a freelance illustrator working in the children's book industry. I love kids and raising my own 4 children. They are the inspiration and the passion behind all I do in art and in life. See my website at JulieOlsonbooks.com

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